《造物的奇迹》名称:造物的奇迹 | 别名:《造物的奇迹完整版》《造物的奇迹全集》《造物的奇迹免费观看全集高清》《造物的奇迹免费观看》 | 状态:HD中字 在线高清版
《造物的奇迹》演员:Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl
《造物的奇迹》导演:Hanns Walter Kornblum | 上映时间:1925 | 国家/地区:其它
《造物的奇迹》由青苹果影院,星辰影院,策驰影院,夸克资源,夸克网盘资源,未删减版电影,迅雷下载,星空影院赞助出品
《造物的奇迹》类型:科幻片 | 语言/字幕:其它
《造物的奇迹》更新时间:2024-10-13 16:39
《造物的奇迹》剧情简介:由Hanns Walter Kornblum 执导的《造物的奇迹》,由演员Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl等主演 倾情出演火爆上映,自2024年上映至今获得了较好的口碑,是一部非常不错的(其它)科幻片。
《造物的奇迹》全集完整版介绍讲述了:Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
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